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was formed in New York in 2002 by a group of immigrants from the former Soviet Bloc. Our goal was to organize events which would bring media artists from this area together. The first RED SHIFT FESTIVAL was held at Anthology Film Archives, NYC, in January, 2003. Here a diverse group of artists met, shared experiences, exchanged ideas, embarked on collaborations and collectively exhibited their work. Successive festivals in 2004 and 2005 showcased works made all over the East. Over this period, our programming sought to constellate local and foreign, native and immigrant media, in order to bring out contrasts and parallels.

In 2006 we embarked on a new mission- to gather and exhibit films and videos made "IN TRANSIT", by travelers, nomads, pioneers and migrants of all backgrounds. We realize that the outsider, the one who leaves home, who crosses borders or who speaks multiple languages, develops a special way of seeing and relating to the world- a perspective that transcends cultural boundary walls, or tunnels through them- a vision, penetrating and panoramic, which can yield images of unique insight and enduring meaning for everyone.

At this stage, we aim to unite the customary narrative, documentary, experimental, and animation divisions through the aforementioned trait in hope of collecting and  presenting a solid body of work: "TRANSIT CINEMA".

We will showcase such work at the Fifth Annual RED SHIFT FESTIVAL. RSF V opens on February 28th at Two Boots Pioneer Theater, and continues on March 1st and 2nd at Anthology Film Archives.

 

We also ask you to help us, by sharing your thoughts on the relation between cinema and travel. We’ve drafted a list of questions (below) inspired by the works we’ve shown to date. These are some of the questions we hope to address in our future programming. We hope they provide you with food for thought and invite you to send in responses (the shorter the better, so we might publish them on our website), or to add to the list with questions of your own. Thanks in advance!

  • What is home?
  • What does it mean to live between two cultures? To speak two languages?
  • Should one resist colonizing one's host culture? How?
  • Is a well-traveled, adaptable, multi-lingual person any closer to the Truth?
  • What is the artist-abroad in a good position to see clearly? What insight belongs to this figure alone?
  • What if only people of privilege and wealth can afford to be artists or travel?
  • Does the artist today have a duty to travel to broaden their world-view by gaining first-hand experience abroad or a duty to stay home and preserve local traditions?
  • To what extent can a visitor be assimilated into the local culture?
  • To what extent is a work of art translatable?
  • For whom does the artist working abroad make work?
  • Should there be one world language?
  • Are national, linguistic and cultural borders useful or more so restraining?
  • What are the strategies for using technology to build and link communities?
  • Are community and technology intrinsically opposed?
  • Where is the world going?
  • What will the future be like?

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